One of the greatest things we share is a love and passion for music. All sorts of music. Neither of us follow any genre and (hip) hop around between classical and rock, rap and pop, we even dabbled with jazz last year and thanks to the fantastic Hackney Colliery Band found it maybe wasn’t so bad after all.
That’s not to say we don’t have favourites and certain groups/singers who we would put some effort into seeing. Dave Grohl and the Foo Fighters hold the record for the group we have seen the most - taking our kids to see them at a very early age and continuing that through the last 20 years!
We actively seek out new musical experiences from attending the world premiere of the Hacienda Classical when no one knew what on earth would happen (Happy Monday’s Bez was there – always unpredictable), to the combined skills of McBusted! We even enjoy the occasional ‘fake’ band – ticket prices are much cheaper to watch Fake That or the Tom Jones impersonator who morphed into Neil Sedaka during the interval (maybe one we won’t be revisiting!).
So when we heard on the grapevine that a brand new group – Manchester Baroque – would be holding their inaugural performance in Manchester – tickets just £10 and a night when we were already going to be in the city. Hardly difficult to make that decision!
Manchester Baroque have a catchy slogan ‘Old Instruments, New Ideas’. They are led by Dr Pauline Nobes, who specialises in historical performance and they aim to recreate some of the famous baroque concerts held in Manchester in the 18th century. (That meant nothing to us either!) One of us was quite familiar with baroque music and the other was secretly hoping it was actually some new style of rock music ‘ba-rock’! (time to get the black studded ankle boots out?!)
The debut concert took place in St Ann’s Church in the city centre to a sell out audience. The church was obviously picked for its historical connections and beauty, but maybe not for the view from the seats! Luckily, before the second half someone left early due to a fidgety toddler, so we quickly shuffled into their centre stage view (don’t think anyone noticed!) and it was time to get the cameras out (you should know by now we go nowhere without them!).
The concert consisted of 6 concertos and an introduction to the group and their aims. Not noticed by us until Dr Nobes pointed it out, was that the instruments were definitely ‘old’ (even older than us!), either genuine 18thcentury instruments or recreations. The Violins had pigs gut strings and the cello had no stand and was held by the musician between her knees– can’t imagine how uncomfortable that was! Most surprising was the flute which looked just like the recorder I used to play (very poorly!) at primary school.
We both really enjoyed the evening – the concertos were short and lively and played with great passion. Learning about the history of Baroque and the aim of the group's project was fascinating. This music would have been the ‘rock’ music of the 18th century I have no doubt! Don’t you imagine Mozart to be the Bowie of his day? The Aladdin Sane of the 18th century?
Whilst queuing for the interval toilet break (second issue with a church just 3 toilets!) several members of the very knowledgeable audience stated that Manchester has had a huge gap with a lack of Baroque musicians (not noticed that either!). Maybe Manchester Baroque have just filled that.
Visit their website to sign up for updates on their upcoming projects.
"No one knew what they was gonna do
But Tchaikovsky had the news
He said ...Let there be sound, and there was sound
Let there be light, and there was light
Let there be drums, and there was drums
Let there be guitar, and there was guitar
Let there be rock"
It was with some trepidation that I accepted Chris’ invite to the Manchester Jazz festival. We both love music – all sorts of music, but for some reason this does not include jazz – at all. I imagine jazz (as described by a close friend!) to be ‘stuffy’ and jazz festivals to be full of people in cardigans debating very important things (unlike our nights out which usually involve debating a million different solutions to the current Avengers problems!).
What we do both strongly believe though is in supporting local events and trying new things.
The Manchester Jazz Festival takes place annually and this year (in their own words!) had ‘over 500 musicians in 80 events spread over 7 venues, free gigs, music day and night indoors and out, regional jazz artists, new talent, innovation and contemporary jazz trying to break down musical boundaries’…phew. Exhausting just to write it all down!
How exciting you might think, but to me the most tempting reason to go to one of their concerts was the temporary venue they had on Albert Square – the ‘Salon Perdu’ - a 1920’s touring music venue (Spiegeltent), it is a structure of great beauty and one I was desperate to get inside! Added to very reasonable ticket prices it was time for one of us to do some ‘male research’ (is that a real thing? Its always quoted in our home!).
So, after studying the programme, it was decided that we would go to the final concert and watch ‘The Hackney Colliery Band’. ‘They’re great fun’ I was told – ‘you’ll love it!’. (I would insert here the emoji with its eyes raised – it is my favourite – but unfortunately not sure how to do it, so please just picture it in your head!)
Imagine my delight (insert eye raising emoji again!) when we arrived at the venue (which is truly the most wonderful place I have ever been to listen to music) to find there were not one but two jazz bands that night and all for just £18.50. Bargain!
First up - Zambian artist Namvula – at this point I was trying to work out how long this performance was going to last? Did I need another drink? Where were the toilets? Were these shoes going to hurt all night? Does anyone go for comfortable shoes when they go out? How many photos should I take of the lovely building? Shall we try a couple of selfies? Distracted? Yes, just slightly, but it didn’t last long. The music coming from the stage surprised me – unusual African beats with a great singing voice and so easy to listen and sway along to. I was even more surprised to find I was enjoying it despite my immediate neighbour debating whether this was indeed jazz or some unusual fusion. He wasn’t sure - I wasn’t bothered.
Why are people like this? Music is music it doesn’t need to be a genre. People can either sing, play and make good music or they can’t. You either love it or you don’t. It would be a boring world if we were all identical.
So - an hour soon passed, swaying in time with the audience to the music onstage and I had now begun to look forward to what was coming next and forgotten all about my shoes (still hurting).
Cue the arrival of the ten-piece Hackney Colliery Band – drums, trombones, trumpets, saxophones and a very large sousaphone which looked like it was being played via a shower attachment (the old ones which excitingly used to turn your bath taps into a shower!)
They were loud, lively and looked like they were having a blast. I loved them from the minute they came on stage and played a mixture of their own compositions and unusual arrangements of some great rock songs! Three of my favourite songs from Nirvana, the Prodigy and Blackstreet (No Diggity was my ringtone for many years until it got me into trouble at a conference – long story!!) Once again, my neighbour expressed his displeasure that they hadn’t just stuck to covers as they were much better when they did! I strongly disagree their original music was fun and exciting and most importantly tuneful and great to dance to!
After weeks of complaining to anyone that would listen that I was having to go a jazz festival (insert emoji again – you know which one by now!) life once again proved that sometimes the things you aren’t keen on doing turn out to be the best experiences in your life. I’m not sure I’m now a jazz convert, but both acts we saw were excellent that night – proving that true talent always shines through.
So now I find myself stalking the internet to find where I can next see the Hackney Colliery Band, sending the videos to all my friends and family and generally taking a keen interest in seeing them again! I'd even go so far to say I am looking forward to next year’s Jazz festival (insert a whole row of laughing emojis!).
A shared love of music over 30 years ago was pivotal in bringing two 20 year old bank clerks together – we bonded over the misery and angst of Morrissey and The Smiths, sang along to the love songs of Shane McGowan and the Pogues and even danced together to the catchy songs of the, maybe not world famous, Macc Lads (parental warnings definitely needed at this point do not let anyone under the age of 18 listen to their songs!). We share a love of Billy Joel and the Foo Fighters and have watched everyone from Justin Timberlake to the Darkness, the Red Hot Chilli Peppers and Barry Manilow. Eclectic is our music choice and shows not signs of altering as we ‘grow up’!
Attending a live music event is one of our great passions or has been but increasingly the prices of these concerts are being priced out of the reach of the average hardworking family. £140 to watch ELO, £200 to watch U2? Is anyone worth that amount of money? It’s almost the cost of a short holiday now to get two decent tickets for any performer of note.
Thankfully classical music has not yet adopted the high pricing of other music events (not round here anyway!). We love to attend the Bridgewater Hall in Manchester and have our own favourite seats at the side of the stage (limited view as stated on the tickets!) which do indeed give you a very odd view of the stage, but at orchestral concerts you feel as though you almost a member of the orchestra and you get to watch the strange behaviour of some of the conductors! These tickets cost approx. £17-£20 for most performances which in the current climate is a bargain! The restricted view has its drawbacks, particularly at the Christmas concert when we couldn’t see one of the choirs at all and a more central view of the fabulous Marc Almond might have been nice, but it gives you a couple of hours of musical bliss, reasonably cheaply in comfy seats!
At a recent Spanish night with the Halle Orchestra, my mind began to wander (in a particularly heavy section after the interval). The first half of the concert had seen excerpts from Carmen and a wondrous performance by the amazing guitarist Craig Ogden. (Again a more central view of just exactly what he was doing with his hands might have been nice! ) The second half I found very heavy going. As my mind wandered I wondered if I did actually like classical music, did I enjoy listening to an orchestra, had I got any maltesers in my bag… As I pondered these deep questions the Halle struck up the opening beats of Ravel’s Bolero and it was suddenly crystal clear to me. I am a classical-lite fan! I need to recognise the tune to enjoy it and as I am still a big MTV fan these probably tend to be film or advert music! The concert finished with Bolero which was wonderful – Torvill and Dean dancing round in my head -nothing compares to hearing a piece of music played live.
Fellow classical-lite fans can be reassured that we are well catered for by a wide range of concerts put on by the orchestras– Sci Fi themes, fake Las Vegas entertainers, music of the musicals…once again there is nothing to compare to the Star Wars theme played live by an orchestra and if you are lucky there might even be some stormtroopers.
Special mention must go to my favourite orchestra, Manchester Camerata, exciting and adventurous and proud of their northern heritage. We were there the very first night they performed Hacienda Classical complete with Bez and Shaun from the Happy Mondays, Peter Hook from New Order and the silky voiced Rowetta, all watched over from the decks by DJs Graeme Park and Mike Pickering. What a night and what a combination – a live orchestra 20 song non-stop DJ set. I have never seen the Bridgewater Hall bars so full – and definitely never a queue!
Imagine our excitement when a Classical Smiths night was announced with a collaboration from three of the original Smiths and Manchester Camerata – imagine our disappointment the day after when it turned out to be some elaborate case of misunderstanding and misinformation! Ah well – quite sure it will reappear at some point with a probably hefty price tag!
Life and other