One of the greatest things we share is a love and passion for music. All sorts of music. Neither of us follow any genre and (hip) hop around between classical and rock, rap and pop, we even dabbled with jazz last year and thanks to the fantastic Hackney Colliery Band found it maybe wasn’t so bad after all.

​That’s not to say we don’t have favourites and certain groups/singers who we would put some effort into seeing. Dave Grohl and the Foo Fighters hold the record for the group we have seen the most - taking our kids to see them at a very early age and continuing that through the last 20 years! 

We actively seek out new musical experiences from attending the world premiere  of the Hacienda Classical when no one knew what on earth would happen (Happy Monday’s Bez was there – always unpredictable), to the combined skills of McBusted! We even enjoy the occasional ‘fake’ band – ticket prices are much cheaper to watch Fake That or the Tom Jones impersonator who morphed into Neil Sedaka during the interval (maybe one we won’t be revisiting!). 
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So when we heard on the grapevine that a brand new group – Manchester Baroque – would be holding their inaugural performance in Manchester – tickets just £10 and a night when we were already going to be in the city. Hardly difficult to make that decision!

​Manchester Baroque have a catchy slogan ‘Old Instruments, New Ideas’. They are led by Dr Pauline Nobes, who specialises in historical performance and they aim to recreate some of the famous baroque concerts held in Manchester in the 18th century. (That meant nothing to us either!) One of us was quite familiar with baroque music and the other was secretly hoping it was actually some new style of rock music ‘ba-rock’! (time to get the black studded ankle boots out?!)
 
The debut concert took place in St Ann’s Church in the city centre to a sell out audience. The church was obviously picked for its historical connections and beauty, but maybe not for the view from the seats! Luckily, before the  second half someone left early due to a fidgety toddler, so we quickly shuffled into their centre stage view (don’t think anyone noticed!) and it was time to get the cameras out (you should know by now we go nowhere without them!).

​The concert consisted of 6 concertos and an introduction to the group and their aims. Not noticed by us until Dr Nobes pointed it out, was that the instruments were definitely ‘old’ (even older than us!), either genuine 18thcentury instruments or recreations. The Violins had pigs gut strings and the cello had no stand and was held by the musician between her knees– can’t imagine how uncomfortable that was! Most surprising was the flute which looked just like the recorder I used to play (very poorly!) at primary school. 

​We both really enjoyed the evening – the concertos were short and lively and played with great passion. Learning about the history of Baroque and the aim of the group's project was fascinating. This music would have been the ‘rock’ music of the 18th century I have no doubt! Don’t you imagine Mozart to be the Bowie of his day? The Aladdin Sane of the 18th century?

Whilst queuing for the interval toilet break (second issue with a church just 3 toilets!) several members of the very knowledgeable audience stated that Manchester has had a huge gap with a lack of Baroque musicians (not noticed that either!). Maybe Manchester Baroque have just filled that.
 
Visit their website to sign up for updates on their upcoming projects.

​It was with some trepidation that I accepted Chris’ invite to the Manchester Jazz festival. We both love music – all sorts of music, but for some reason this does not include jazz – at all.  I imagine jazz (as described by a close friend!) to be ‘stuffy’ and jazz festivals to be full of people in cardigans debating very important things (unlike our nights out which usually involve debating a million different solutions to the current Avengers problems!).

What we do both strongly believe though is in supporting local events and trying new things.

The Manchester Jazz Festival takes place annually and this year (in their own words!) had ‘over 500 musicians in 80 events spread over 7 venues, free gigs, music day and night indoors and out, regional jazz artists, new talent, innovation and contemporary jazz trying to break down musical boundaries’…phew. Exhausting just to write it all down!

​Imagine my delight (insert eye raising emoji again!) when we arrived at the venue (which is truly the most wonderful place I have ever been to listen to music) to find there were not one but two jazz bands that night and all for just £18.50. Bargain!

First up - Zambian artist Namvula – at this point I was trying to work out how long this performance was going to last? Did I need another drink? Where were the toilets? Were these shoes going to hurt all night? Does anyone go for comfortable shoes when they go out? How many photos should I take of the lovely building? Shall we try a couple of selfies? Distracted? Yes, just slightly, but it didn’t last long. The music coming from the stage surprised me – unusual African beats with a great singing voice and so easy to listen and sway along to. I was even more surprised to find I was enjoying it despite my immediate neighbour debating whether this was indeed jazz or some unusual fusion. He wasn’t sure - I wasn’t bothered.

Why are people like this? Music is music it doesn’t need to be a genre. People can either sing, play and make good music or they can’t. You either love it or you don’t. It would be a boring world if we were all identical.
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So - an hour soon passed, swaying in time with the audience to the music onstage and I had now begun to look forward to what was coming next and forgotten all about my shoes (still hurting). 

​Cue the arrival of the ten-piece Hackney Colliery Band – drums, trombones, trumpets, saxophones and a very large sousaphone which looked like it was being played via a shower attachment (the old ones which excitingly used to turn your bath taps into a shower!)
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They were loud, lively and looked like they were having a blast. I loved them from the minute they came on stage and played a mixture of their own compositions and unusual arrangements of some great rock songs! Three of my favourite songs from Nirvana, the Prodigy and Blackstreet (No Diggity was my ringtone for many years until it got me into trouble at a conference – long story!!) Once again, my neighbour expressed his displeasure that they hadn’t just stuck to covers as they were much better when they did! I strongly disagree their original music was fun and exciting and most importantly tuneful and great to dance to!

​After weeks of complaining to anyone that would listen that I was having to go a jazz festival (insert emoji again – you know which one by now!) life once again proved that sometimes the things you aren’t keen on doing turn out to be the best experiences in your life. I’m not sure I’m now a jazz convert, but both acts we saw were excellent that night – proving that true talent always shines through.
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So now I find myself stalking the internet to find where I can next see the Hackney Colliery Band, sending the videos to all my friends and family and generally taking a keen interest in seeing them again! I'd even go so far to say I am looking forward to next year’s Jazz festival (insert a whole row of laughing emojis!).