One of the greatest things we share is a love and passion for music. All sorts of music. Neither of us follow any genre and (hip) hop around between classical and rock, rap and pop, we even dabbled with jazz last year and thanks to the fantastic Hackney Colliery Band found it maybe wasn’t so bad after all.
That’s not to say we don’t have favourites and certain groups/singers who we would put some effort into seeing. Dave Grohl and the Foo Fighters hold the record for the group we have seen the most - taking our kids to see them at a very early age and continuing that through the last 20 years!
We actively seek out new musical experiences from attending the world premiere of the Hacienda Classical when no one knew what on earth would happen (Happy Monday’s Bez was there – always unpredictable), to the combined skills of McBusted! We even enjoy the occasional ‘fake’ band – ticket prices are much cheaper to watch Fake That or the Tom Jones impersonator who morphed into Neil Sedaka during the interval (maybe one we won’t be revisiting!).
So when we heard on the grapevine that a brand new group – Manchester Baroque – would be holding their inaugural performance in Manchester – tickets just £10 and a night when we were already going to be in the city. Hardly difficult to make that decision!
Manchester Baroque have a catchy slogan ‘Old Instruments, New Ideas’. They are led by Dr Pauline Nobes, who specialises in historical performance and they aim to recreate some of the famous baroque concerts held in Manchester in the 18th century. (That meant nothing to us either!) One of us was quite familiar with baroque music and the other was secretly hoping it was actually some new style of rock music ‘ba-rock’! (time to get the black studded ankle boots out?!)
The debut concert took place in St Ann’s Church in the city centre to a sell out audience. The church was obviously picked for its historical connections and beauty, but maybe not for the view from the seats! Luckily, before the second half someone left early due to a fidgety toddler, so we quickly shuffled into their centre stage view (don’t think anyone noticed!) and it was time to get the cameras out (you should know by now we go nowhere without them!).
The concert consisted of 6 concertos and an introduction to the group and their aims. Not noticed by us until Dr Nobes pointed it out, was that the instruments were definitely ‘old’ (even older than us!), either genuine 18thcentury instruments or recreations. The Violins had pigs gut strings and the cello had no stand and was held by the musician between her knees– can’t imagine how uncomfortable that was! Most surprising was the flute which looked just like the recorder I used to play (very poorly!) at primary school.
We both really enjoyed the evening – the concertos were short and lively and played with great passion. Learning about the history of Baroque and the aim of the group's project was fascinating. This music would have been the ‘rock’ music of the 18th century I have no doubt! Don’t you imagine Mozart to be the Bowie of his day? The Aladdin Sane of the 18th century?
Whilst queuing for the interval toilet break (second issue with a church just 3 toilets!) several members of the very knowledgeable audience stated that Manchester has had a huge gap with a lack of Baroque musicians (not noticed that either!). Maybe Manchester Baroque have just filled that.
Visit their website to sign up for updates on their upcoming projects.
"No one knew what they was gonna do
But Tchaikovsky had the news
He said ...Let there be sound, and there was sound
Let there be light, and there was light
Let there be drums, and there was drums
Let there be guitar, and there was guitar
Let there be rock"
Life and other